Gh5 color profiles reddit.
Cinelike D is a garbage pseudo-log rec709 color profile.
Gh5 color profiles reddit.
When shooting, expose for the highlights.
Gh5 color profiles reddit I set ISO to 1200 and had the white balance set to tungsten: I see in the info inspector for the media that I can override the color space, and choosing Rec 2020 seems to be what people say to do as first step. iResolution is just a better sharpening, that affects more edges and less noise (as opposed to the Sharpening parameter of the color profile, so I usually lower the Sharpening to -5 or -3 and keep iResolution), but most of the people already like the native sharpen of the GH5 so is mostly avoided. The ability to use different lenses on the GH5 is a huge step up, in addition. If you're planning on editing all your images you could just do RAW, but having the JPEG as well with the color profile locked in isn't a bad thing. So surely I am missing something here because everyone who loves their GH5 pretty much uses VLog… but right now the Natural color profile is incredibly nicer looking than this. the other LUTs But at any rate, stick with a natural picture profile. Any help is appreciated, thanks! Speed up your video workflow and shoot with the GH5 Natural Color Profile. 16K subscribers in the GH5 community. What color profile are you using? Maybe running log and iso 6400 would result that poorly. It's what I use for 80% of the event work I film. Agreed!! V-Log L which is what is used in the GH5, will produce on a proper monitor tons of color artifacts in low-light situations. That said, this camera is more stable than the X-T3, has better autofocus than the GH5 and will produce better still photos than the GH5 as seen in the Yeah I do RAW + JPEG. 709 profiles which can use ISO 200) Got it! So in the cases of color grading to the extreme the 4:2:2 format can help but I'm my case doesn't seem like it will make a huge difference. Does anybody know? In the GH5 manual there is only one sentence that normal ( I guess that means the standard profiles) clips are saved in sRGB. VLog shooting V gamut is what you’d use to grade on a professional project, same as what a Varicam uses. Jul 21, 2017 · About 1-2 months ago Adobe did the color profiles for GH5 cameras, but just that. GH5 and GH5S user here with about 1000hrs or so on/between both. Cine-D will give you a much better dynamic range and roll off than standard or natural. Everything below 0 ire is clipping black with no color information and everything above 100 IRE is clipping white with no color information. If you go into the profile browser (above the WB tool in Develop module - click on the 4 small boxes) the GH5's internal profiles are listed there under Camera Matching: Natural, Cinelike D & V, L Monochrome, etc. I've filmed hundreds of them. Color profiles are never applied to the RAW (thanks god! lol). And its LCD screen flips "up" - which can interfere with top mounted accessories. Mar 24, 2019 · Understanding the Panasonic G85 Colour Profiles. I’d been using the natural color profile and applying a light grade but now I want to understand color grading a lot better. 98p AND I believe the spot metering settings also can be shared in that shared settings package. I am a bit perplexed by contrast/highlights/shadows Say I decrease constrast by - 1 2 or 3. g. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. 8 usually can get it done. Thanks, I appreciate the advice. 100% Percent correct, both the colour space transform, and the LUT that Panasonic provides, are actually for the Varicam V-Log profile, and not the GH5’s V-Log L…. But, its really the closest transform that exists, again without having to get into 3rd party LUTs. I would recommend it, but I'd love to know what everyone else is using! If you're shooting in 8-bit, it's best to use a profile that needs very little, if any, color correction, because it will end up getting very crunchy very quickly, with banding on gradients and skin tones, weird colors being unrecoverable, stuff like that. It also could be something like monitor calibration, making sure the GH5 picture profile settings, or are using the right lut pack if you haven't already double checked those things. I need LOG or RAW. BUT, if you're using the GH5 for high end work that will be passed on to a professional colorist - you'll have issues. V-Log is kinda like a Lite RAW (don't crucify me redditors, I know it's not really RAW 😏), where you can make many more decisions over the final outcome in post when it comes to color, and more limited NATURAL profile. Pretty new user of GH5 II here. Here is my requirement (sort of): It is an 8-bit camera, so the 10-bit X-T3 and GH5 are able to capture more shades of color (explanation here). 8 anamorphic lens + GreatJoy anamorphic adapter. (and easier to grade) If you do not even have vlog (not a must), then HLG is a no brainer and better then every other Profile (unfortunately not avaliable in every shooting One other way I could see solving this problem is to group all GH5 video clips into folders by color profiles. Video project type: conference aftermovie, with interviews So I've been thrilled with the video capabilities of the GH5, and that's why I bought this camera. To the eye, it seems to work well enough for the rec709 transform. Any conversion lut needs to be tailor made for a specific camera and color profile. If you don't plan to do color correction in post, and you plan to deliver rec709, recording 8bit is OK. Any tips on matching the GH5 to the FS5? My work uses an FS5 as the primary cam, and I bring my GH5 in occasionally as the b cam. Have you turned on the noise reduction setting at all? Also what kind of memory card are you using, if the memory card can't keep up and write the footage as fast as you take it two things could happen. RAW does not bake in the color profile onto the image. Try using the dial on top to alternate between pictures and video from now on. I've never been happy with the image and struggled to grade it in Premiere. I have a reached the point where I would like to tweak color profile settings a bit. Members Online Film emulation for Panasonic GH5 with Kodak Ektar 100 film profile Any workflow tips on color matching with a GH5ii?I plan on using both for two camera setups. Lord knows why they do this. RW2 file was. Workload has ranged from weddings, commercials, social media… Hey, as funnychicken said, I think HLG is the best color Profile. You might get a small amount of extra dynamic range but you basically have to use a normalization LUT to bring it back to "normal" or deal with the headache of normalizing it manually, neither of which are worth it. How they look out of the box, unedited, and how much color gradin For color the "flat" profile gives you a good starting point for matching your grade to the GH5. I’d be tempted to shoot the GH5 at 10bit as that will give you more room to push the GH5 if necessary but this is instinct I haven’t tested it. In my extensive tests it actually shows the most dynamic range and has the least noise. This is why those profiles look “flat”. Now, they added a bunch of lower end cameras, which is awesome! Those profiles try to mimic the camera color profiles (like Vivid, Standard, etc). I wanted to know what the difference was between the different picture profiles on the GH5. In Resolve, go to Project settings, change the color science to color managed, change the color processing mode to HLG 2020 and I usually opt for 709-A as the output color space as that seems to translate best when exporting to youtube. The Alex LUT is the most frequently recommended, but I've read several comments saying that it doesn't fit well with the GH5s (only the GH5). Yeah I’m confused by many of the other replies. For matching the look the key is shooting as close to the same settings as possible on both cameras - i. In the info inspector I don't see anything about a target profile. Welcome to r/GH5, the place to be for users and enthusiasts of the Panasonic Lumix GH5 & GH5S cameras. Members Online Landscape stills from a 6-month roadtrip, all on GH5 First is iso and low light shooting cabalities and the second one is the coloring and the color profiles apart color depth. The Panasonic GH5, G7, and G85 has a number of great colour profiles for tweaking the video image. One would still need to manually use exiftool/ffmpeg/etc to confirm the color profile on each clip and move the files around, but once imported into premiere you could at least glance at the "FilePath" tag and know that clip is in the The programs auto apply the Adobe Color profile. It's greenish but I slap a rec2020 to rec709 colour convert on it in Resolve and It's good to go. I run it up to iso 3200 and to suggest that it's no better than a cell phone is absurd. When shooting, expose for the highlights. Every time I change the color profile to v-log for video I forget because of the monitor lut and go to take pictures and they all end up in v-log for… The other profiles bake in the color settings into the footage; you can push it around some, but it's like trying to paint red over blue. So lately I've bee wanting to start… Hello folks, I have a GH5 and I have the opportunity to get my hands on a g85 and g7 for a multicam talking head shoot. Here's something I filmed recently in low light using the Natural profile with a Sirui 35mm f/1. No matter how you slice it, the GH5 leans more into the red/magentas with skin tones. Edit: I have 2 S5IIX and the GH5 now, but still consider the GH5 as my favorite camera. But what I really like (and I wish Alpha cameras would have) is S-Cinetone. 4K will give you some flexibility in post to zoom in or reframe the shot. I want to get my colors matched up between each camera but I am unsure if just using the same profile across all three cameras will get the job done. I do 80/20 video/photo. Cine D isn't even a true log profile. Started with natural, went to V-log and now back to Cine D- gives you a good flat profile but has color in it where you don't have to do a lot. Is that annoying tint on the log profiles as well? Emotive Color has a free HLG to V-Log LUT. DaVinci has a couple videos of their own. I’d ask yourself if you’re happy with the footage you get with the g85 because it’s significantly cheaper. I just purchased the GH5, and was reading up on RCM with V-log L and HLG. Business, Economics, and Finance. Starting with Cine D is a good move too since it's a pretty subtle coloration and low contrast. No, V-LOG-L is a completely different profile than full Varicam V-Log, and any V-LOG LUT is gonna expect a completely different input from V-Log light. Presentations don't need anything fancy. Continuous recording of video is a requirement some sessions are 45+ minutes. In certain situations I actually prefer the look of the natural profile over V-log and HLG. I see that it gives a grayish-blueish kind of tint to the footage. If you need color correction, shoot 10bit always. ) 90% of my work will be a on… Today I finally had (or took) the opportunity to really try shooting with the V-Log profile for an entire days shoot. Better then vlog. When I switch it to Panasonic profiles, the profiles it gives me still don't match what the . So I’ve been experimenting with v-log on the GH5 the past few days and I have some issues with exposing it. But I can't find any comparisons or threads with people comparing them. I’m so confused because when you select VLog on the Gh5, it doesn’t allow you to tweak things like hue & saturation anymore. When are you seeing slowness? My gigs typically take me to bright desert environments (I shoot a lot of BTS at rally raid races like the Dakar Rally. I use this on broadcast tv shows when I know stuff might go directly to the truck for air or go to post for a feature or bump. Shoot video by turning the dial to creative video mode (camera icon + M). If you're thinking of getting an external monitor, look for one with false color built-in. Your post work will be smooth and results will be amazing! You have more flexibility in photography as you can set your aperture to appropriate focal plane, then alter your shutter to a good level of motion blur, then make sure you're good with the Iso noise you'll get (I A close up on a color card in Premiere will help you match the scene easily with the comparison view and "match" function, and / or Resolve has a color card reader built in you can position and use to match. Have done a couple of previous shoots with GH5II in V-LOG and all looked great, but this time I experimented with using the Cinelike-D profile for a shoot and got some horrible artifacts appearing! Hey everyone, I didn't realize there was an entire forum dedicated to the GH5. If you're doing YouTube work and these factor are not an issue, then you're good. I created and edited the CineLike D profile on my GH5. You get a flat image without needing the colour convert and It seems to work better in low light. One of the nodes is for CST to change the color space to an Arri color space. High FPS modes are desirable. If you shoot RAW photo only the picture profile won't matter. I also find that using variable or cheap ND filters is especially frustrating with V-LOG compared to shooting with other color profiles. I have found on youtube a way to overcome this without loosing time in post but it wasnt on log profiles. -5 0 -4 -2 -1 You’ll thank me later. Natural, vivid, cine-d, cine-v, scenery, portrait, it’s all there. Set your picture profile to v-Log. The reasons I liked the profiles I mentioned above are summarized below: Cine D: neutral color, higher dynamic range, spares you the trouble of HAVING to color it, but takes coloration pretty easily too. 2. Posted by u/aweaty5 - 1 vote and 8 comments Posted by u/kashakido - 3 votes and 17 comments Posted by u/NeapolitanNightmares - 3 votes and 7 comments This subreddit is for the free exchange of surreal visual art. You should try and match everything you can. With gh5 the upper limit really is 80 IRE, so you should avoid going past that. (I could be wrong) Posted by u/wikileaks666 - 3 votes and 1 comment NOTE: This sub is not for color grading actual porn, for actually color grading porn, you can visit r/ColorGradingThePorn. Posted by u/dirtymikeofficial - 2 votes and 11 comments With vlog-l footage from the GH5 I do not know the color space that the footage is recorded in (e. I did some test myself, and I feel like I got a couple different exposed shots to look nice, but they all read differently for middle gray on the ire. Posted by u/extender_01 - 1 vote and 1 comment And, get a color chart if you have an assistant. That's one of the reasons why CineD and some of the other colors profiles are so popular. rec2020, vlog colorspace, ???) to do the right transform. I’ve read various things online but im slightly confused. Having built in colour profiles will save time modifying the colours in post. I haven't noticed any slowness navigating the GH5. I’ve had the GH5 for a while now but I made it my goal to start focusing on color grading. Especially if I'm not using any log formats (I'm just using the standard color profile). Crypto Hello fellow GH5 owners, I need some help understanding the video setting/colour profiles on the GH5. My skills are definitely more on the editing side and composing shots. This sample data is then fed into a software that I wrote to translate one sample set to another. Anyone has experience simultaneously working with BMPCC 4k and GH5, need advice choosing the right color profiles for easiest video editing and color grading in post. I hear Cine4 is nice, and of course you can try out the EOSHD color profiles. I guess it would help to understand is that in general you have "utility LUTs" which do things like converting color profiles (e. I'm upgrading to the GH5s soon because I think it'll fit a lot of my video needs. I like messing with the colors over dropping a Lut on the footage. The shots turned out pretty good when I looked at them in post after some color grading. I just shoot raw, open the files in Lightroom, and can select all of those color profiles to adjust color after the image is shot. So I shoot both photo and video on my GH5, and recently been doing a lot more photography. Same for the interviews. I guess not having the JPEGs can save some space, but it's never been an issue for me. My workflow means I have little time to do colour grading/correction and therefore avoid v-log always. Before my purchase I thought V-log would be a perfectly fine color profile to use, but after reading a bunch of conflicting advice, I have come here to get some help. When importing them to Lightroom Classic CC, it puts the photo in Adobe Color. 2 / 10bit / ALL - I - 400 MbpsCamera Profile: V-Log LMotion Pic Record Format - MOVISO: 400Customized WB Color temp setting -K1 (5500)Frame rate: 23. For those times that I have the opportunity to use the color card, I can then use the GHAlex LUT pack to get a format that I can also replicate with other cameras that might not be GH5's for a consistent color grade throughout the footage. The main reason to shoot flat is to preserve DR in most cases - in narrative you can get some wiggle room for grading but honestly people like a good old fashioned, well color corrected image. It's almost as if the color shift created by the ND filter is exaggerated, I get a lot of weird greens that is insanely difficult to correct when using Tiffen Variable ND filter with V-Log. Whichever profile you use, you’d be wise to touch it up in post. Makes me quite happy to find. If V-Log-L is simply contrast reduction, why does Panasonic make a Flat profile? The Flat profile still operates in the Rec-709 color space, while the V-Log-L can extend to REC-2020 and beyond. What is the best color profile/settings on the GH5 for flat video, not using the V-Log or HDR profile? So I'm editing + coloring a music video and it's shot by two "DP's" who had a GH5 each. Colors are also quite different from S5 to GH5 (although not too much so that it's hard to match). The two LUTS that come up most are the Leeming LUT and the Emotive Color GHa LUT. Works well without grading but gives you latitude to color it. Keep it simple and straightforward. It's Adobe's equivalent to the camera's Standard profile. Realistically speaking the GH4 is still a kick-ass camera for the price, but you might find yourself out growing it rather quickly. Movie Mode: C-4K - 4096 x 2160 - 4. V-Log-L can also encompass brightness values beyond that allowed in Rec-709, which gives it the capability of increased dynamic range into HDR areas. Then I can push the color a tad in post. These two threads claim that V-log profile doesn't have either the right version of V-gamut, I've been using the GH5 for close to two years and Like Cine D profile. I would do 8-bit 4K in the standard or natural profile. I should say when I am doing controlled studio work I prefer to use V-Log, when I am going out into the world and don't have control over light or shooting a Multicam shoot (GH5 and G85) I use Cine-D. I primarily shoot in the Natural color profile for SOOC content and I have not used log color profiles since I am trying to maintain a quick turnaround with my projects. Extrashot gave a great guide guide on setting a similar color space up for the A7III in particular although I cannot attest to its accuracy as I don’t have an A7III (or an FX6). I've been shooting on Lumix cameras for a few years, but always just on the Natural profile. I am inclined to get the GH5 II but have been told the S5 is better but most don't compare the S5 with a GH5/II + speed booster. I’m shooting a short film soon and am planning to use Cineprint16 to color grade. I know for a fact that if it is at 40 or 42, skin tones starts to get blown out. And I don't like what it does to the colors. You’re getting better resolution, framerates, and higher bitrates with gh5 with official cinelike and V-Log color profiles (with addon). Jan 9, 2019 · HLG will give you the best results for color grading. BUT in low light I like to use Cine-D. shutter angle and aperture settings (as recommended in another comment). V-Log is best, but Natural is a close 2nd. Works for me, many ways to bake a cake. It's super easy and quick to color grade and if you can nail your exposure and whi But honestly, my new cam has False Color which is an even better way to analyze a scene in my opinion. As far as how it'll perform, I'm not sure what bit depth the iPhone 11 can record in, but the GH5 gives you the option to shoot 4k in 4:2:2 10 bit color at 24 frames a second, which is seriously nice. If you just want immediate nice colors Natural is the best profile in my opinion. Cinelike D is a garbage pseudo-log rec709 color profile. After months of research on GH5 color profiles, HLG is the best choice. 17K subscribers in the GH5 community. Tutorials on Divinci deal with various other settings, including target color profile. The other profiles are useful, especially if you're shooting with one camera (or other matched cameras). In the past, I've shot in CineD with most my color profile settings turned down and it worked pretty well. No need for LOG or any other profiles. You can lower the contrast, color, sharpness and change the curves in the custom settings submenu under each picture profile to make a really neutral profile. The book Color Correction Handbook by Hurkman is commonly recommended, though I'm sure there are online resources too. It doesn’t really require much color correction or grading, usually you’ll just bump up the contrast and saturation to your liking. What your shooting, who’s the client, what’s the shooting situation, how good are you at color grading, do you want to color grade a lot, do you want to color grade a little, do you want it to look good right away but have a little flexibility or do you want it to have a final look right out of the camera, how intense of a look do you want, do you want color or black and white, do you want If, on the other hand, you want a camera that has built-in headphone jack, vectorscope, waveform monitor, internal 10-bit color and 4:2:2 chroma subsampling, 60 fps at 2160p "4K" resolution, 180 fps max slow motion frame rate at 1080p - plus upgradeability to the Panasonic V-LOG gamma color profile, you should buy a [GH5 bundled with V-LOG for Make certain to get a shot of a registered color chart and a gray chart. In the case of the GH5, don't expect to magically increase exposure artificially in an editor without exponentially adding noise and artifacts. However, when using Hey Jeromaroo, Emotive is a color conversion that conforms various GH5 picture profiles (VLog by default) to Arri LogC, as measured under sunlight and halogen with ~35K color samples. . As for color grading in a fast method, I've had great luck using Leemging LUT pack for the GH5. Consumer cameras do a good job with their color profiles to make the video as good as it can be. Apparently some editing programs have weird color behavior with different color profiles and types. The cinelike profiles don't handle skin tones very well. On the FS5, we are typically shooting either SLog2/SLog3/Cine4. That's a really good price for a GH5, especially with a lens. I exposed to the right whenever I could with some help from the monitoring tools on my Ninja V. They don't know which color profiles they used and they are… Even with no light, GH5 + metabones + sigma 18-35 or 50-100 f1. e. Shoot your photos in M, S, or A, and set the picture profile however you want. 1 camera stops recording after x amount of time 2 camera will not record data as shot (weird parallax on horizontal planes and That extra color information makes a big difference when you're trying to color correct a clip, or push it into a heavily stylized hue. I guess I like this because for the price you get a decent amount of LUTs, correctional inpit LUTs, as well as some Neat Video profiles which is something that has become more and more a necessity since us GH5 users know of the subpar low light performance of the GH5. Panasonic is offering a 3 year warranty for the GH5 II. I’ll be shooting with a GH5, however, this GH5 doesn’t have V-Log on it. Profile, WB, ISO, Aperture. If you use a technical LUT to move your footage from the color space you shot in, like CineD, into the color space your computer and TV use to display “normal” images (which is rec709) the image will look Has anyone tested or found anywhere where an 18 gray card should fall on the IRE scale for the GH5 in natural profile. Aside from V-log and HLG, I find the natural profile with the contrast all the way down to be the best. Shoot in manual exposure setting, it will make you a better cinematographer in my experience by understanding how light effects the look. I use a monitoring LUT (vlog_709) but the image still looks pretty washed out compared to the like709 picture profile. Appreciate the insight I love this camera for my niche use case and I'm learning more about it after each use. Because It also limited by ISO 400 minimum and it's darker than other profiles, so when you will lift up shadows - there could be more noise and less color information (unlike Rec. Shoot all your stuff in Raw and play with the profiles in lightroom. Just curious what your thoughts are. But I still love taking photos, and I find it hard to jump back and forth between the settings and can't seem to find a sweet spot for photos when it comes to formatting and what not. Then the other thing you can do is shoot a colour chart so you have a reference on both cameras that you can match up. The GH5 on the other hand will take a lot of time to feel like you need to upgrade or move on. Post your own work or that of other artists (please make sure to give credit) Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artefact. I currently don't shoot in any Log system, so I only do simple color correction (almost no grading). Members Online A fashion film I shot one-man band with the GH5 and the Tokina 11-16mm / Sigma 18-35mm combo. For the past 3 years I’ve been shooting in a modified CINE D color profile with the GH5. What profile should I shoot in for the film/what setting should I put into the CST to change it to Arri . the official Panasonic and VLog to Rec709 LUT, or the Natural/HLG/CineD to VLog I linked to before) and "style LUTs" which sometimes have a color space conversion but always impart some specific color style to the image as their primary goal (e. (You can access the camera profiles in post, they're baked in). The camera has darks and lights squished closer together than our eyes expect them to be. Aug 3, 2019 · So how good are results deeper down, say 20-30 meters, GH5 with a filter plus manual white balance? As the filter cannot be removed during the dive, I'm looking for something that works at basically all depths. Cinelike I've heard has improved on the GH5, but G85/GH4/G7 it's just plastic-y and gross, imo. If you’re not going to color grade, just shoot a standard rec709 profile and it’ll be a “baked in” look that’s finished once you’re done shooting but im looking for the color space: Rec 2020, Rec 709, V-gamut (which I know is Panasonic version), ALEXA wide gamut color space, REDWideGamutRGB I'm not using transformation luts, but instead using Color management in order to color match the cameras easier, but really all I need to know is the color space. kwqudibzhspfewvikbbeknzeqtmkuztvbalpxoxpispdvxkeb